Since I’ve been in Sacramento, finding time to write blog posts has been difficult, the same goes for meeting new people other than those I work with. So a way I’m kind of working on both small issues, is by joining a Meet Up group that aimed at writing! There’s a lot of Meet Ups in Sacramento for so many different interests- in comparison there are no Meet Up groups in Northern New York and I’d never actually hear of Meet Up until being in California. So for the twoish months I’ve been going to a Sunday meet up for, “Shut Up and Write! Sacramento,” where I’ve been writing and pulling a bunch of posts together. It just then takes me a while to type everything up and edit my photographs before actually posting on my blog.
It’s been nice meeting new people who are passionate about writing and it’s nice to see them weekly and see how their progress on their own projects is coming along. The Meet Up I go to is at Shine, a really cute coffee shop at the corner of E and 14th Street. I usually get the Namaste Latte (a matcha latte with vanilla and honey), it’s super good!.
So this week’s post comes to you via my hour of writing at “Shut Up and Write!” It’s been a while since I’ve done a “What is this Jargon” post and today’s topic is……..Rose Windows.
It’s not really jargon sounding, is it? You probably had your hopes up that it was going to be something crazy like oriel….maybe next time it’ll be something outrageous. Any who. Rose Windows are exciting and they’re pretty and they kind of link back to by previous post about Grace Cathedral, which has two rose windows!
So “Rose Window” is a generic architectural term- see told you! Not jargon! A rose window is a term that can be used to refer to any circular window but typically is thought of as a window found in churches constructed in the Gothic architectural style- much like Grace Cathedral, which is a French Gothic style cathedral in San Francisco. The windows are often stained glass and are usually divided into segments by mullions and tracery.
There we go, some real jargon for ya! It’s like historic preservation inception, jargon within jargon…
Let’s get back on topic. So, where were we. Rose windows can also be referred to as a “wheel window” or even a “Catherine window,” a direct nod to St. Catherine of Alexandria, who was sentenced to be executed via a spiked wheel…fun side note, St. Catherine is a martyr who was most likely made up and possibly was based on death of the Greek female philosopher, Hypatia. Look it up, really interesting stuffs. While rose windows made a splash on the architectural scene by the middle of the 12th century in France, it’s reasonable to assume that the idea of this style of window came from the Roman oculus- a large circular windows-like opening that would allow light and air into a structure. Roman oculus can typically be found on the west facade of a Roman structure. From the Roman oculus, some examples of rose windows can be found in buildings that date to the Romanesque period (10th century).
By the Gothic period in France, rose windows can be found left and right in churches and cathedrals- typically at the west end of the nave (that’s the big central aisle) and at the ends of transepts (wings on the sides of the nave). A common scene depicted in rose windows includes the “Last Judgment,” especially in the west end, while the transepts would often depict “Mary.” Bar tracery in rose windows was officially introduced int the 13th century; that’s the stonework that supports the stained glass.
So obviously, I’ve got some awesome photographs to share of stained glass windows:
Memorial Hall, Harvard University:
These photographs are of Memorial Hall on Harvard University’s campus in Boston. It’s a High Victorian Gothic building (Neo-Gothic is another term) that was designed by William Robert Ware and Henry Van Brunt. The Memorial Hall was constructed to honor Harvard men that had fought for the Union during the Civil War. The stained glass window measures 708 square feet and is called McDonald’s Virtues Window. Further information on Memorial Hall:
This little church is located in Paul Smiths, NY in the Adirondacks. The Episcopal Church was constructed in 1930 and designed by William G. Distin. You can only see a small portion of the rose window in the photographs but if you follow the link you can see interior images of the church: http://townofbrighton.net/sjinthew.htm
Trinity Church in Potsdam, NY is constructed of fantastic Red Potsdam Sandstone. The church was originally constructed in 1835 as a Federal style building with Gothic elements. In 1886, it was enlarged and renovated into the High Victorian Gothic style church it is today; designs were by James P. Johnson. The stained glass window was a gift of Thomas S. Clarkson and was installed in 1886; the window has many Christian symbols with a dove in the center. The church, as is many of the Potsdam Sandstone buildings in St. Lawrence County, is listed on the National Register of Historic Places. Further information: https://www.northcountrypublicradio.org/news/trinitywindows/trinitywindows.php
Zion Episcopal Church:
This rose window can be seen in the Zion Episcopal Church in Colton, NY. It’s also constructed of Potsdam Sandstone and it’s construction was financed by the Clarkson family in 1883. James P. Johnston also designed this church and it was inspired by the Trinity Church in Potsdam. The rose window is located in the south facade and is 10 feet in diameter. The sections of the window represent the 12 apostles surrounding a dove. The Zion Episcopal Church is listed on the National Register of Historic Places. Further information: https://coltonepiscopal.wordpress.com/history-of-zion/
This is the former 2nd German Baptist Church in Rochester, NY; the church was constructed in 1890. Today the building is no longer a church but the home of Swill Burger. While one of the rose windows is gone, the other one still exists and helps point to the former history of the building. More information can be found about Swill Burger and the church in a previous post:
Herring-Cole Hall is located on campus of St. Lawrence University in Canton, NY. The current building was constructed in two different installments both of which are of Potsdam Sandstone. The Herring Library was constructed between 1869-1871 and was designed by the firm, Huberty & Hudson. The Cole Reading Room was added between 1901-1902 and was designed by Joseph Smith. The rose window located at the east of the hall was made by the New York firm, J. & R. Lamb and the window is of the college’s seal. The building is listed on the National Register of Historic places. Further information: http://hcap.artstor.org/cgi-bin/library?a=d&d=p1644
Resources and Further Information on Rose Windows:
I’m now back in Sacramento after being home for a couple of weeks on vacation. The flight back was luckily, uneventful and there was only one delay at the tiny Massena, NY airport, which didn’t impact the other flights I had in Albany, NY and Chicago, IL.
This post is going to be focusing on another single building. I’ve been doing a lot of those lately because there’s so many awesome buildings that deserve recognition plus it makes you realize that all old buildings have a great story just waiting to be told. Today’s property is, Grace Cathedral, which is the cathedral church of the Episcopal Diocese of California and the third largest Episcopal Cathedral in the county; I saw the cathedral the last time I was in San Francisco on my own. The reason I’m focusing on this property today is because it’s Martin Luther King Jr. Day and on March 28, 1964 the Rev. Dr. Martin Luther King Jr. gave a sermon during the Cathedral’s celebrations for its completion and consecration. I didn’t know that information before I visited the Cathedral; the reason I went to check it out was because it was listed as a cool place to visit at the San Francisco Downtown Hostel that I had stayed at when I was there last.
Grace Cathedral is located on Nob Hill, and it was the last place I was visiting on the Saturday and it was already late in the day- so I had to book it, which is easier said than done since San Francisco is so hilly. The hours of the Cathedral are Sundays 8-7, Thursdays 7-6, and the other days of the week are 8-6. Throughout the week there ares services and many other events going on, so if you’re interested in visiting, I would suggest double checking their website to see whats going on during your visit. For example when I arrived at the Cathedral it was around 4 pm and there were signs up saying they would be closing at 5 pm to set up for a concert later that evening.
Grace Cathedral has its beginnings with the Gold Rush of 1849- the year it was founded. The church was the “daughter” of the historic Grace Church (I assume the one located in Manhattan). The church went through a some location, building, and even name changes during its early history but all of that came to a halt thanks to the Great 1906 San Francisco Earthquake, which completed destroyed the church. After the earthquake, the family of railroad baron and banker, William Henry Crocker,** gave their Nob Hill property for a new a cathedral to be constructed on- the Crocker’s mansion had also been destroyed during the earthquake. A cornerstone was laid in 1910 but construction really did not begin for a number of years until 1927. The cathedral was designed by architect, Lewis Hobart, who designed the property in the French Gothic style as a nod to the Crocker family; a major inspiration of the cathedral is Notre Dame located in Paris, France.
During the Great Depression, work on the Cathedral completely stopped and it officially wasn’t “completed” until 1964. The interior vaulting and the cast-stone walls are actually unfinished. Other really cool details of the building is that it’s frame is raw concrete and steel, which is unusual for cathedrals. There is some pre-fabricated cast stone for decorative details and Guastavino acoustic tiles were used for the vaulting. Other architectural features that indicate its a French Gothic style building include the twin towers, the building’s cruciform plan, rose window, and the polygonal apse (I sense a number of new jargon words to explore at a later date).
Another thing to mention before I get into some of the really amazing things of the building is that there are docent led tours of the building throughout the month Since my visit was spur of the moment, I didn’t really have time to plan my visiting during a tour but Grace Cathedral has a fantastic App that can be downloaded on your phone to do self-guided tours, which is what I used when I was there. The App is the reason I learned that the Rev. Dr. Martin Luther King Jr. gave a sermon there in 1964.
Both the interior and the exterior of the cathedral are beautiful and offer a lot to see. Obviously, I had a very limited window of time to see the cathedral so I wasn’t able to see everything, luckily though a member of the Cathedral’s staff who was there closing parts of the building in preparation of the concert was kind enough to let me into the Chapel of Grace, which is the oldest part of the cathedral.
The gentleman who I think was either a deacon or verger for the cathedral stated talking to me and asking if I had visited the cathedral before. Talking with the staff member, I told him I didn’t know anything about the Cathedral and that it was the first time visiting the building but that the app was really useful for learning about the building, I also told him I didn’t know that Martin Luther King Jr. had spoke here during the Civil Rights Movement. And that’s when the behind-the-scene history adventure happened. The staff member said that he could show me the room that Dr. King prepared and got ready in before his sermon. The room is off the Chapel of Grace and I don’t think is open to the public. The gentleman told me that he believed the room was mostly unchanged since some of the furniture in the room could be seen in historic photographs of Dr. King in the same room. It was also suggested that I go check out the pulpit and that it was okay to step up into it. It was a little too much for me to do, so I didn’t mainly because I was having a lot of feelings, It was kind of like that scene in Wayne’s World when Garth and Wayne meet Alice Cooper and say, “We’re not worthy” or something along those lines. That’s kind of how I felt being told I could go stand in the same pulpit that really amazing people like the Rev. Dr. Martin Luther King Jr. have spoken from. Hopefully that makes sense.
The following are some links from Grace Cathedral’s YouTube page where they have video recordings of the Rev. Dr. Martin Luther King Jr.’s sermon:
The following area other art and architectural features of the cathedral that are amazing:
Stained Glass Windows:
There are a ton of murals along the walls of Grace Cathedral. A number of the murals were done by Jan Henryk De Rosen, a Polish painted who lived in exile in the United States after 1939. De Rosen was born in Poland to Jan Rosen and Wanda Hantke. His father was also a painter (Polish historical and genre) who worked at the court of the Russian Czars, Alexander III and Nicholas II. As a child, De Rosen moved to Paris to live with his sisters, Maria and Zofia (a sculptor) and from there enlisted in the French Army during World War 1. After the war he moved back to Poland and studied to be a painter in Warsaw. His painting skills were very much in high demand and he painted murals within many churches and cathedrals across Europe. He came to the United States in 1939 at the request of the Polish ambassador to paint murals at the Polish embassy in Washington DC. With the outbreak of World War 2, he stayed here in the United States where he taught and continued painting.
These doors are replicas of the famed Ghiberti Doors, The Gates of Paradise. The originals were installed at the Baptistry of the Duomo in Florence, Italy. The original doors were designed by Lorenzo Ghiberti and worked on by himself, his son, and the men in his workshop, which took them 27 years to complete. In 1990, the originals were housed in the Duomo Cathedral’s museum and replicas took their on the actual building. So how does Grace Cathedral have a set of replica Italian Renaissance doors who ask?
Way back during WW2, the original doors were removed and hidden. Bruno Bearzi, themaster founder and superintendent of the Florence’s art works, had them in his care where he cleaned them and had molds made with the intention of creating replicas to put in place of the originals and place the originals in a museum. That didn’t happen until 1990. But hearing that the molds and replicas existed, Grace Cathedral architects contacted Bearzi in the late 1950’s. Through the generosity of donors, Grace Cathedral was able to purchase the replicas and they were in place by November 20, 1964. The doors are made entirely of bronze with the sculptured portions finished in gold. Each door is 16 feet high, 4 inches think and 5 feet wide. Biblical events are depicted in the panels of the doors.
So after the wonderful and very short visit I had at the cathedral, I would highly suggest visiting it, if you’re in San Francisco. I know I would really like to visit it again and possibly join a docent led tour since there’s probably a lot I missed. Let me know what you think!
Thanks for reading 🙂
Below are some resources I used, most of the information came from brochures I collected while at Grace Cathedral and the websites helped supplement what the brochures had summarized. There’s also some links to my other blog posts that are linked to this one, like the Crocker Museum and the National Mall, which the Lincoln Memorial is part of. The Rev. Dr. Martin Luther King Jr. gave his “I Have a Dream Speech” there in 1963.
**William Henry Crocker was the nephew of Edwin B. Crocker of Sacramento whose home is now part of the Crocker Art Museum:
As I sit bundled up in my apartment waiting for the bomb cyclone storm to hit Northern New York, I’m thinking about all the awesome things I experienced in 2017, which is odd to say since 2017 seemed overall craptastic. Last year I started a new and interesting job as a reservist with FEMA. So basically, FEMA sends me and other reservists wherever we may be needed after a disaster hits the country. Since June, I’ve been living in Sacramento, California where I’ve had many opportunities to see much of what the State has to offer and watch in horror as California has been in an almost constant state-of-emergency because of the devastating wild fires. Thankfully, Sacramento has not been in the way of the fires but it still has been a shock to see and read the daily news about the fires while I’ve been in California.
In comparison, since living almost my entire life in Northern New York I’ve never had to really think about wild fires or be worried about them. We get the occasionally, seasonal flooding, which happened this past May and it was worst than normal; and our winters can be brutal. Since arriving home on December 22nd for a holiday vacation, the warmest it’s been was 26 degrees Fahrenheit….for comparison purposes, water freezes at 32 degrees Fahrenheit.
As you can imagine, with the wild fires and flooding that California has faced in the past year, work has been super busy and stressful, meaning I haven’t been able to spend as much time as I would like on this history, adventure, and preservation blog. While working and living in California has been very different than what I’m use to in New York, I was able to visit a lot of amazing places that I plan on sharing on this blog in the new year- most of those places have been away from the wild fires.
Right now though, I want to share the one awesome consulting project I had time for, which was a Part 1 of the Historic Preservation Certificate Application for the Wellesley Hotel located in the community of Thousand Island Park.
Over the summer on my first break home from California, I spent two days in the Park, researching and photographing the Wellesley Hotel, as well as visiting old friends. Side Note: I’ve been working on odd projects in Thousand Island Park since I interned there during the summer of 2013.
To complete a Historic Preservation Certificate Application, it’s very much like a National Register nomination: basic information on the property is needed, as well as a detailed building description and a statement of significance (AKA: Why #ThisPlaceMatters). If a property is already listed on the National Register of Historic Places, it makes the job a little bit easier. In the case of the Wellesley Hotel, the property is part of the Thousand Island Park Historic District, which means the documentation for the application has to show that the individual property contributes (historically, thematically, etc.) to the historic district. Long story short, the Wellesley Hotel does contribute to the historic district of the community. I’d like to even push it so far as to say the entire Thousand Islands region.
The following are some snippets of the writing I did for the application for the Wellesley Hotel as well as photographs I’ve taken of the property over the years.
Description of Property
The Wellesley Hotel, in the community of Thousand Island Park, in the township of Orleans, Jefferson County, New York, is a highly intact 3 ½ story wooden frame structure with neoclassical elements, constructed in 1903 as an annex to the Columbian Hotel. There is a small 1-story addition located within the crook of the “L” shaped plan; this addition appears to be original to the property. The hotel occupies a central location at the corner of Rainbow Street and St. Lawrence Avenue within the historic community of Thousand Island Park; listed in the National Register of Historic Places 1982. The most prominent feature of the Wellesley Hotel is its two-story wrap-around veranda that extends from the south facade to the entirety of the east facade. The veranda on the first floor has Tuscan columns that support the roofed second story porch that extends into a balcony on the east facade. The interior of the Wellesley Hotel follows the original floor plans with the first and second floors currently in use. Elements seen with the historic hotel include pressed metal ceilings, hard wood floors, a brick fireplace on the first floor, a central staircase that leads to all floors including the attic and basement, and inter-connected rooms on the second and third floors. Since its construction, the Wellesley Hotel’s exterior has had some changes. The east facade porch and balcony were removed sometime from 1930’s-1980’s; it has been restored since then. There has also been the addition of fire escapes, which are currently in the north and west facades of the building. Other exterior changes include a wheel chair ramp that has been added to the north facade, along with a loading dock that leads into the one-story addition in the back. The interior has remained virtually untouched. The first and second floors have been restored and are currently used as a restaurant, with rooms on the first floor being used as hotel rooms and rental spaces to local businesses. The third floor and attic are currently not used and are in need of restoration. The Wellesley Hotel is in good condition with the only alterations to the property being general maintenance throughout the years; the restoration of the east facade porch has been done to using historic photographs to match the original porch. The maintenance changes and restoration of the east facade porch do not detract from the overall integrity of the Wellesley Hotel in terms of location, design, setting, materials, workmanship, feeling, and association.
The Thousand Island Park Historic District (1982) contains an outstanding concentration of substantially intact late nineteenth and early twentieth century resort architecture. Embellished with elaborate and often unique details, the closely grouped structures in the planned campground represent a significant phase in the history of the internationally recognized resort community in the upper St. Lawrence River. The neoclassical Wellesley Hotel contributes to the significance and context of the Thousand Island Park Historic District because it harkens back to a time when the community was a summer resort destination. The Thousand Island Park was founded in 1874 by Reverend John F. Dayan as a Methodist summer camp. The Thousand Islands region began to evolve into a summer haven for vacationers escaping the dirty industrial cities such as Pittsburgh, Boston, and New York City. Through the years the community as a whole has survived through a number of difficulties including: devastating fires, financial hardship during the Great Depression, and the effects of both World Wars. Today, the Thousand Island Park Historic District maintains its historic character with the Wellesley Hotel as the heart of the surviving commercial block of the Thousand Island Park.
Thousand Island Park
In the early 1870’s the Thousand Islands gained national attention, when George Pullman, the developer of the Pullman sleeping car, invited President Ulysses S. Grant to his summer home on “Pullman Island,” located close to Alexandria Bay.1 News that the President of the United States had visited the area put the Islands on the map as an elite tourist destination for the upper and middle classes throughout the 1880’s until the early 20th century. Tourists and summer inhabitants of the Thousand Islands began to be grouped together under the term, “summer people,” referring to the fact that they only lived in the area during the summer months.2
The Thousand Islands and other similar summer resort areas grew in popularity during the Gilded Age for a number of factors. Reasons for the interest in summer vacation spots like the Thousand Islands, included the rise of industrialist capitalism; concerns for health and social issues within inner cities combined with the romantic movement and the celebration of nature; and rapid improvements to modes of transportation of railroads and steamboats.3 The Thousand Islands offered many opportunities to enjoy nature such as fishing, hunting, and boating. Entire families would visit the region, who would engage in more social activities, such as cruises on private yachts and dinner parties at local hotels like the Frontenac and the Columbian.
Not all people came to the islands for fanciful vacations, a number of summer people visited to attend Methodist or Baptist summer camps on a number of the islands. Thousand Island Park was originally one of those revival camps founded by Methodist Reverend John F. Dayan in 1875. Methodist revival camps in the early 19th century lasted one-two days and were located in the backwoods. After the Civil War, these types of church campgrounds and meetings were shunned by the churches because there was not enough teaching or rational thought. The Methodists moved towards more permanent and elaborate campgrounds that offered an extended camp meeting for specific purposes; this was in part inspired by the Methodist churches establishment of colleges throughout the country. An example of this new type of summer campground was the Chautauqua Institute located near Jamestown, New York. The Institute was established as a center for training Sunday School teachers.4
As early as 1867, Reverend Dayan began thinking and planning a summer camp in the Thousand Islands, with the camp’s main focus on encouraging interactions between the peoples of the United States and Canada 5 It was not until 1872, that Reverend Dayan really began to form his ideas and for two years worked to gain support for the project from various people. In 1874, Dayan was ready to get the approval of the plan from his colleagues and superiors. At the spring meeting of Methodist leaders in Carthage, New York at the Northern New York Conference of the Methodist Church, Reverend Dayan garnered enough support to a plan an excursion in the Thousand Islands in August of 1874. The purpose of the visit was to find a site for the future camp grounds. The visit happened as planned with 50 clergymen and laymen from both Canada and the United States meeting in Alexandria Bay to find a site. The large group really only viewed one site, Victoria Point, located on Wellesley Island- today known as Westminster Park. It was concluded by the group that another visit would be needed to explore other sites. A committee of 11 were chosen to view other locations and to establish connections with the ship routes and rail lines. The second visit occurred in September of the same year. This time the smaller group found the perfect spot. It was located also on Wellesley Island, just on the opposite end of the island away from Victoria Point.6
Within the first year of existence the Thousand Island Camp Meeting Association had not only purchased the land on Wellesley Island but they had constructed a “dining hall,” a shop and warehouse, a trustee’s office, and constructed a tabernacle tent. The Association decided to sell lots 40×80 feet to subscribers and those interested in purchasing a lot within the community. The first lots were sold June 9, 1875 and all were sold, meaning more of the land had to be surveyed and created into more lots to sell. Lot owners established shelters, mostly tents but a number of the lot holders built crude cottages. Attendees of the summer camp had opportunities to listen to daily sermons, lectures, and attend meetings.7
From there the Park community grew steadily and was transformed from a “tent city” to a permanent village of residences. During the 1880’s the Park saw management changes and a shift in focus from a campground to a Christian summer resort. Other developments within the community signifying this shift included the Thousand Island Camp Meeting Association changing their name to the Thousand Island Park Association in 1879. Then in 1881, Reverend Dayan resigned from the Thousand Island Park Association and that same year the Association began planning for the construction of a grand hotel. The Park newspapers also reflect these changes were in the 1880’s advertisements could be seen for schools such as Bordentown Female College, Ives Seminary, Syracuse University, and Cazenovia Seminary, along with advertisements for the Pulpit Bible. These types of advertisements slowly gave way to those for hotels, Dey Brothers Co. grocery store, and Watertown Boat and Canoe Co.8
Hotels in the Park
The construction of the Thousand Island Park Hotel lasted from 1881-83 and was designed by architect Noah Dillenbeck. The hotel was four stories tall with a three story colonnade surrounding the hotel along with a central tower with a mansard roof. The hotel had a Second Empire Style feel to it with its mansard roof, bracketed balconies, and french windows. This hotel lasted until August 21, 1890 when it burned down within 45 minutes, killing one person and destroying 13 other buildings. The Association decided to rebuild the hotel and by 1892, the Columbian Hotel was open for business on the same site as the previous hotel. The Columbian was designed by Syracuse architect, Archimedes Russell. The hotel was also four floors and could accommodate 300-400 people. While the Thousand Island Park Hotel had a distinctive architectural style, the Columbian did not and had a picturesque castle feel to it.9 The Thousand Island Park Hotel and the Columbian were two of the many hotels dotted along the Thousand Islands offering accommodations to the growing numbers of summer people.
The popularity of Thousand Island Park as a summer destination meant the Columbian was frequently packed with guests. By 1902, the Park Association had already begun to discuss and plans for another hotel in the community. A 1902 news article in the Watertown Reunion, estimated that the new hotel would be completed during the summer of 1903 for $15,000 and would be located on the site of the New England Dining Room.10 The Hotel Wellesley was completed in June of 1903 and located at the corner of Rainbow and St. Lawrence Avenue, diagonally from the Columbian adding to the commercial center of Thousand Island Park.
The Wellesley Hotel was different in appearance from the Columbian’s picturesque castle. In the documents related to the Wellesley, the architect is never named but they were inspired by the neoclassical style that was in vogue throughout the nation after the Chicago World Fair. The three-story structure’s most prominent feature is the wrap-around porch veranda on the first floor with a balcony porch above that supported by Tuscan columns that also wraps around the south and east facades. There are Georgian prototype dormers spaced around the roof. The Wellesley Hotel added another 40 rooms for guests to rent during their stay in the Park.11 The Association leased the hotel to Mr. and Mrs. W. P. Rogers, the first proprietors.12 The first floor of the hotel consisted of a main entrance on the east facade to the hotel that lead into the hotel’s lobby with main access to the upper floors, along with a dining room and parlor. Within the first year of the hotel being opened, the first floor of the Wellesley Hotel was used for the 22nd Reunion of the 14th New York Heavy Artillery in 1904.13
The Wellesley Hotel does not feature often in the local papers but it can be assumed business was as usual during the summer with both the Columbian and Wellesley Hotels being in operation in the early years of the 20th century. All of that changed on June 9, 1912. In the mid-afternoon, a fire had broken out in the store of H. H. Haller. What exactly caused the fire is unclear since the shop actually was closed for the day because of a funeral. The fire quickly spread and grew beyond the capabilities of the Thousand Island Park residents and fire brigade. The Columbian Hotel caught fire, spreading the flames through the eastern portion of the community. By the time the flames had been put out by the efforts of the residents and the help of Clayton and Alexandria Bay’s fire departments, the Columbian was completely destroyed, along with Haller’s store, three schools, a chapel, and 98 cottages. 500 people were homeless and the losses in the community were estimated at $500,000.
It was reported by local papers that the hotel would be rebuilt and that there would be “a better Columbian than ever next season.”14 Even with sensationalized news about the fire and the fact that the “…fire practically wiped out this famous summer outing place,” as stated in 1912 article about the disaster entitled “Terrible Holocaust,” the community survived and so did the Wellesley Hotel. In local papers, it was reported that the Wellesley was saved by the quick thinking of 17 year old, Paul Crouch, who stayed on the hotel’s roof, wrapped in wet blankets, to shovel off burning shingles. Crouch was finally relived by other residents and was unconscious for several hours after; Crouch did survive.15
A year after the fire, the Wellesley Hotel had minor renovations, to equip and update portions of the structure with to follow newly established fire code requirements including fire escapes and ensuring the doors would swing outwards.16 The hotel continued to be the main hotel at the Thousand Island Park, the Columbian was never rebuilt. The Columbian fire marks the beginning of the slow decline of not only Thousand Island Park but the region as a premier summer destination.
Throughout the 1910’s the Thousand Islands saw a decline due to a variety of reasons, including multiple large fires that destroyed a number of the popular hotels, such as the Columbian and the Frontenac on Round Island. These hotels were at times considered the social center of the Thousand Islands and after they burned in 1911 and 1912. The growing popularity of the automobile and lack of good roads to reach the Thousand Islands also negatively affected the region. The automobile allowed people to travel freely and not be limited to one area during the entire summer season. The deaths of the wealthiest summer people, including George Pullman, helped add in the lack of interest in the Thousand Islands. Political issues also put a damper on ability and means to visit summer resort areas especially World War I, which put an end of the popular steamboats because of government uses and shortages of supplies. This was followed by the stock market crash of 1929 and followed by the Great Depression that followed.17
In 1922, the Thousand Island Park Association made plans to build another floor to the Wellesley Hotel that would have added an additional 20 rooms. It is unclear what happened but the addition was never constructed given that photos of the Wellesley only ever show it as a three-story structure.18 This also indicates the financial problems the region was facing and the decline of vacationers during the summer months. The Wellesley finally closed for good in the early 1930’s during the Great Depression. The hotel was only used for special events and occasions during the years until the 1980’s when it was finally reopened by James A. Finger. The opening of the Wellesley Hotel allowed the property to be used again for accommodations and as a restaurant.19 Since then the Hotel has remained in business owned by the Thousand Island Park Corporation and leased to proprietors to run the hotel and restaurant.
The Thousand Island Park was listed as a historic district because the community is an outstanding collection of substantially intact late nineteenth and early twentieth century resort architecture. The Wellesley Hotel has been a landmark within the community of Thousand Island Park since its doors first opened in 1903. The hotel highlights the past and the changes the summer community went through as a Methodist summer camp community that evolved into a premier summer resort. Thousand Island Park as a whole reflects the historic changes that occurred throughout the entire region from 1870 to 1915, a period that is known as the Gilded Age. The Wellesley Hotel is in every way, a significant part of that story, surviving terrible fires and the community’s economical hardships, to exist today as the last remaining Gilded Age hotel within Thousand Island Park and the region as a whole.
Fast forward to today, the Part 1 of the Historic Preservation Certificate Application was officially approved by the National Park Service in November 2017. This means that should the owner of the Wellesley Hotel move forward with their plans on renovation of the upper floors of the Hotel, Parts 2 and 3 of the Certificate Application would need to be completed. Those parts are in regards to the actual proposed work through documentation of the current conditions of the Hotel and then the Hotel after the work has been completed.
1Susan Smith, The First Summer Peoples: The Thousand Islands 1650-1910 (Erin, Ont.: Boston Mills Press, 1993), 82.
2Laurie Ann Nulton, “The Golden Age of the Thousand Islands: Its People and its Castles” (M.A. diss., Georgetown University, 1981) 10.
4 Helen Jacox and Eugene Kleinhans, Thousand Island Park: One Hundred Years, and Then Some, A Centennial Year History; with “The Study, Architecture of Thousand Island Park,”by Paul Malo (Valhalla Printing Co. T.I.P. N.Y.., 1975 by the Centennial Book Project, Thousand Island Park, New York), 27.
It’s been awhile. I’ve been super busy with work in California and just haven’t had a lot of time to write. I have been able to see quite a few cool places: San Francisco, Hearst Castle, Tahoe National Forest hiking trails, Old Sacramento and a number of Gold Rush towns. I hope to share those awesome adventures on this blog in the near future but in the mean time I thought I’d do a simple post on one building.
A few weekends ago, I drove into downtown Sacramento to get a hair cut (a lob for those concerned) and that resulted in me getting dessert for lunch, exploring a used bookstore, and taking a number of photos of a few cute tiny Victorian houses in the area.
One of the houses I photographed had a “name” or maybe more of a label “label,” called “Winters House.” I figured if the house has a name, it must have a story, and this house does.
Winters House is listed on the National Register of Historic Places under Criteria C, which means its architectural significant! Winters House is important because of it’s Queen Anne-Eastlake style and because of its size. It’s one of the largest Victorian homes left in Sacramento!
The home was constructed in 1890 for Herman Winters, a local successful merchant, who was a German immigrant. When the home was constructed, it was located on the outskirts of Sacramento in an area considered to be the, “gypsy camping grounds” (words from the National Register nomination, not mine). Through the rest of the 1890’s the area developed into a residential area outside of the city- kind of like suburbs; today the area is known as Mid Town.
Winters hired experienced craftsmen to give the three-story home many intricate, wooden, ornamental details. The home has an asymmetrical front facade with key elements including: the bay window, stained glass windows, a sunburst pediment, scroll work sunbursts, brackets, lower porch balustrade, various shingle and wooden patterns, and overall delicate spindle work. According to the National Register nomination, the interior also consists of intricate details such as carved mantel spindles, tile work surrounding two fire places, and trim details. The home exemplifies what it means for a building to be a Queen Anne- Eastlake Victorian home.
Winters passed away in 1904 and his money, store, and home were divided between his widow and his two children from his first marriage. His widow, Effie Winters, inherited the home and put a lot of money into maintaining the home during her life. For example, Effie had the home elevated by ~ 2 feet in 1909 to build a flat under the first floor.
The interesting story of the home lies with Effie Winters. Apparently, Effie’s wealth and eccentricities did not sit well with her brother, Frank. In 1911, he petitioned the courts to get here declared incompetent. Luckily, the courts ruled in Effie’s favor based on her success in managing her inheritance from Herman. But that didn’t stop Frank’s crusade to have his sister declared of an “unsound mind.” Effie passed shortly after her brother petitioned the courts and when her will was read, Frank contested it because the primary beneficiary was L. S. Jones, her minister. The court records indicate that there was an investigation into the life and mental well being of the deceased Effie Winters. Records show that she had had a severe accident in 1901 when she was thrown from a buggy and hit a street car. She was unconscious for a number of days and when she finally pulled through, she had bouts of physical and mental distress; at least once, spent time in an asylum in Stockton, CA where she claimed to be the wife of Jesus Christ; she eventually was released. Her minister and others gave testimony to her character and lifestyle. It seems that those testimonies were not enough though and a postmortem autopsy was performed for examine her brain. Based on the testimony of five doctors who claimed Effie had a “small” brain, which meant she was of an “unsound mind” during life and in writing her will.
From the court finding, Frank, inherited the home she had lived in during her life. He did not keep the house for long and the Winters House went through a number of owners. That is until 1998, when the new owners began the long process of restoring the home to its former glory and getting the home placed in the National Register of Historic Places.
Resources and Further Information:
All of the information on the Winters House came from the National Register Nomination, prepared by Vickie M. Cosentino, 1998. See the following links for more information on the home and to see the National Register Nomination in its entirety.
Last week I had an opportunity to travel to Donner Lake, which is located in the mountains of Tahoe National Forest. Along the way, I stopped at a couple of vista point “exits” off of Interstate 80 and took a number of photos of the mountains.
The Tahoe National Forest was originally established in 1899 and named Tahoe Forest Reserve. In 1905, the name was changed to Tahoe National Forest and controlled of the National Forests was changed from the Department of the Interior to the Department of Agriculture’s Forest Service; President Theodore Roosevelt was in office during this time. His presidency consisted of pushes to conserve our Nation’s natural resources. President Roosevelt, actually established the US Forest Service, signed into law the creation of five National Parks, and signed the 1906 Antiquities Act, which created 18 National Monuments.
The Tahoe National Forest includes parts of the Sierra Nevada mountain range. The mountain range has been created by a geological activity called plate tectonics (movement of plates that make up the crust of the Earth). In particular the creation of these mountains was caused by a “subduction zone,” where one plate moves beneath another plate and as that happens magma is created from movement, that slowly cools down and the magma rocks created at the zone build up to create these mountains. It takes a very long time. The plates that helped make the Sierra Nevada Range are the Pacific and North America plates. This geological activity began somewhere between 400-130 million years ago but the range as we know it, really was created until between 20-5 million years ago. That means the Sierra Nevada Range would have been around when dinosaurs walked around North America. Parts of the mountains have also been created by the weight and movement of glaciers during the ice ages; “U” shaped valleys are a geologic indicator of this. I just want to give a shout out and thank you, to my basic 9th grade Earth Studies class, where I learned geology….oh, and I guess those geology courses I took at SUNY Potsdam.
So that’s some real brief history of the Tahoe National Forest and it’s geology. There’s a lot more that could be added but let’s keep it simple and move on to the juicier stuff.
Next up. Cannibalism!
Sooooo, Donner Lake and Donner Pass are named after a very, very, very ill-fated pioneer wagon train that tried to cross through Donner Pass in 1847. Let’s back up a little bit before 1847, to 1846…not that far back in comparison to 1847… when nine families left Springfield, Illinois in April of 1846 to head west to California. The families were organized by James Reed and George Donner was the captain of the wagon train. The nine families met up with other families headed west creating a large wagon train. Everyone stopped at Fort Bridger, which was located in modern day Wyoming, to resupply and get ready for the long haul to California.
While at Fort Bridger, 87 members of the much larger wagon train decided to set off on their own to travel a new route through the Sierra Nevada Mountains. This group is known as the Donner Party and consisted of the group first organized by James Reed and headed by George Donner. Reed had learned of a new route through a pass in the Sierra Mountains near a lake (known today at Donner Lake). With that information, Reed assumed that if the Party took this route, they would arrive in California sooner.
James Reed got some real bad information.
The Donner Party arrived at the summit of the mountains at the lake around October 28, 1846. By that time, there was already 6 feet of snow and this stopped the Donner Party dead in their tracks. The different families set up camp around the lake using their wagons and other materials for shelter. The families technically were trapped by the snow- they couldn’t go forward or even back the way they had come by late fall. In the middle of December a group of 15 people left the encampment to travel the rest of the way to California in the hopes of getting help. Only 7 people survived the trek into California and reached Sutter’s Fort, where they were able to get much needed help. During that time the Donner Party went through most of their supplies and livestock. People starved and froze to death, and some of the survivors turned to cannibalism to survive. There was a total of four rescue parties that went to Donner Lake from Sutter’s Fort. Of the original 87 pioneers that got stuck at Donner Lake, only 48 survived and made it to California.
Obviously Donner Lake and Donner Pass are named after the Donner Party. Donner Pass through the Sierra Nevada Mountains has been used in a series of different transportation routes starting with the California Trail (wagon trail). Eventually the pass was incorporated into the route of the Central Pacific Railroad for the First Transcontinental Railroad. More recently, in the age of the automobile, there has been a route through the pass for U. S. Route 40 (the Lincoln Highway), which was the first road across the United States and then the pass was indirectly used by Interstate 80. Interstate 80 was the route I took to get to Donner Lake.
So there you have it! A very brief history on the Sierra Nevada Mountains and the Donner Party.
If you have any questions or comments, let me know in the section below.
Last week I was in downtown Sacramento for a chocolate tasting with co-workers and I had an opportunity to walk around 9th and 10th Streets in between J and K Streets- basically a square around the block.
I took a number of photos and wanted to share those images with you….and tell you about some jargon!
They’re jargon and they’re architectural terms. Art Deco is a style that appeared in Paris in the early 1900’s in the construction of two different apartment buildings. The architects were Henri Sauvage and Auguste Perret. The apartment buildings were constructed of reinforced concrete- used for the first time for residential buildings in Paris. The architectural design of the buildings consisted of clean lines, rectangular forms, and there were no decorations on the facade. The term applies to not only architecture but to visual arts and design. The name, “Art Deco” comes from Art Décoratifs a phrase used during the International Exhibition of Modern Decorative and Industrial Arts that was held in Paris in 1925. In general Art Deco is associated with luxury and modernity; expensive materials were used with superb craftsmanship. Streamline Moderne is an architectural term used for a later styleof Art Deco seen during the 1930’s. Below are lists of the features seen in both types of styles.
Smooth Wall Surfaces
Stucco, Stone, Metal, Polychromy
Simple, Geometric Forms and Motifs
Stucco, Fluted/Pressed Metal, Ribbon Windows, Glass Block Windows
Long Horizontal Lines
Flat Roof lines
The following are images that I look around the Blocks of 9th and 10th Street, in between J and K Streets. They are in the order of which I took the photographs, where I started on 10th Street, walked up Kayak Alley, arrived on 9th Street and then eventually walked down J Street back to 10th Street. There were only a few buildings I could find information on; one building is listed on the National Register of Historic Places; other information came from historic photographs of the streets and from the Pacific Coast Architectural Database created by the University of Washington.
Currently for work, I am living outside of Sacramento, California in Rancho Cordova. I have the weekends off, so I’ve been using those days to explore cool places in California. This past weekend, I visited the Crocker Art Museum, which is located on O Street in Sacramento. The streets in downtown Sacramento are named either by a letter or a number- it’s really interesting!
The Crocker Mansion that makes up part of the museum complex was constructed in 1853 for pioneer banker, B. F. Hastings. The home was designed by Seth Babson. The original style of the home was classical in style.
In 1868, Judge Edwin B. Crocker purchased the property, which included the home and out buildings. Judge Crocker, was a judge for the supreme court for the state of California. When the home was purchased Judge Crocker and his wife, Margaret, had an extensive art collection that had been started by a trip to Europe. The Crocker family commissioned Seth Babson to renovate the home that he had designed originally in the 1850’s. The new plans included changing the style of the home into an Italianate Villa mansion and to add a gallery for the art collection to be displayed. These renovations were completed by 1872. The following images show the interior of the home:
This view is of the ceiling seen upon entering the Crocker Mansion through the front doors.
Looking up towards the ceilings on the first and second floors of the Italian Villa.
Walking through the front doors of the Crocker Mansion brings you into a foyer where there are double staircases leading to the second floor. This is a view of one of the staircases.
There’s a ballroom…..it’s huge and located on the first floor. The space is used for events. When I was there, museum staff and volunteers were preparing for a kids art activity!
This room is within the historic building but is connected directly to the new modern structure (you would go through the hallway to the right to get to the new building). In this photo you can see how ornate the rooms of the Mansion are.
This wall safe is located in the old office room on the second floor!
Look at that door knob. All of the doors in the historic building were beautiful and these style of door knob was on a number of doors!
The Crocker family were also keen on supporting social and civil causes in Sacramento. By 1885, Edwin had passed away and Margaret worked to establish an art museum from their collection. The museum was originally named the “E. B. Crocker Art Gallery” and was given to the city and placed in “trust for the public.”
In 1887, Margaret moved east to New York, to be closer to her adult children. The E. B. Crocker Art Gallery happened to be the first public art building founded in the Western United States. The following are images of artwork I saw at the museum. The Museum allows non-flash photography throughout the galleries. All rights to the artwork are of the Crocker Art Museum:
This is a view of some of the beautiful Oceanic artifacts the Museum has in their collections.
This large painting was completed in 1911. Mathews was a well known for his murals and is credited for creating, “California Decorative Style,” which combined elements of European Art Nouveau, Classical, and California flora, fauna, and locals.
During the San Francisco Panama-Pacific International Exposition, Stirling had created a “Colonnade of Stars,” which consisted of 95 Star Maidens of plaster. After the Exposition, the plaster versions of the Maidens were cast in bronze in 1914.
This is a Japanese suit of armor called “tosei gusoku,” which means modern equipment. It dates to the Edo Period of Japan and is from the 17th century. This style of armor is lightweight, flexible, and a key part of a Japanese warriors identity.
Aspara are celestial nymphs or spirit of the clouds or water in the Hindu and Buddhist religions.
McCormick painted this scene around 1893. It is one of here earliest paintings of California. She was inspired greatly by French Impressionism.
Painted in the 1890’s, this painting depicts one of the Greek Muses. The painting dates to a period of art in the United States called the “American Renaissance.”
The painting was painted in 1962 and is oli on canvas. This piece of art is considered Pop Art!
This piece of art is part of the exhibit, Turn the Page: The First Ten Years of Hi-Fructose. The exhibit marks the 10th anniversary of the art magazine, Hi-Fructose.
Sometime after Margaret passed away in 1901, the building was given to the Fairhaven Home for Girls and then basically abandoned. It remained vacant until 1911, when the City of Sacramento purchased the property with donated funding from a Mrs. Sloat Fassett….Mrs. Fassett actually was Jennie Crocker, one of the daughters of Edwin and Margaret!
In more recent years the art museum has continued to flourish. In 1970, the Crocker Art Gallery was listed on the National Register of Historic Places and became a state historic landmark.
1989, saw the building go through a number of renovations. The main home and the art gallery were connected and the historic facade was completely restored. In 2000, plans were started to construct a new addition to the historic building and within 10 years, the Teel Family Pavilion was opened. This new space basically tripled the square footage of the museum, allowing for more room galleries, administrative offices, and educational spaces.
Today I’m trying out a new topic for an ongoing series much like my, “What is the Jargon!?!” series. It is no surprise that I enjoy exploring cemeteries wherever I go. The closest cemetery near me is Bayside Cemetery, here in Potsdam and when the weather is nice, I like to walk to it. There’s a lovely path that runs along the Raquette River that goes all the way to the rural cemetery.
Now, almost every time I adventure around Bayside or another burial ground, I take tons of pictures of gravestones that interest me for one reason or another. I figured I could share some of those gravestones with you all, along with information about the person who the stone represents.
The first story and stones I wanted to share with you are the gravestones of William and Thankfull Davis, located in Section E, Lot 168.
The timing for this post was completely unplanned until I looked at a calendar on Tuesday and realized that May 25, which is today, is the death anniversary of William. He was a Patriot during the American Revolutionary War and possibly the War of 1812, though I couldn’t confirm that.
William Davis was born September 30, 1762 in the town of Rutland of Worcester County in Massachusetts. His parents were Nathaniel and Ellen (Hubbard) Davis. William was the youngest of 15 children! When he was 17, William enlisted in the 7th Worcester County Regiment.
On July 5, 1787, William married Thankfull Nye in Hardwick, Massachusetts. Thankful (Nye) Davis was born February 10 1764 and was the daughter of Joseph Nye Jr. of Sandwich and Thankful (Goodspeed) Nye of Barnstable (they were married in Hardwick on October 20, 1757). Thankful (Goodspeed) Nye was the eldest child of Ebenezer Goodspeed and Elizabeth (Bodfish) Goodspeed; AKA Thankful Davis’ grandparents. On a side note, Thankfull’s gravestone is the only place where her name is spelled with two of the letter, “L.”
Both William and Thankfull passed away in 1833 in Potsdam, NY.
So how did William and Thankfull get all the way from Hardwick, Massachusetts to Potsdam, NY. Well, it’s unclear when exactly they arrived in Northern New York. A source I used for initial information, indicates that they were in Potsdam by 1820 – they would have been in their 50’s.
The other curious thing about the couple, looking at the detailed family trees for both William and Thankful, none of them indicate that they had kids, which seems really weird. Especially when you envision two middle age people in the early 19th century moving all the way to Northern New York from Massachusetts. That’s normally a 6 hour car drive – imagine doing that on horses and wagons. Plus, during this time, it was usual to have large families because of infant mortality rates and having more kids meant having more helping hands on a farm. So that’s why I thought something must be missing in the record.
I went back to the New York State DAR blog that explained William’s service during the American Revolution and checked to see what records were used, so I could check them out for myself. Census records from 1820 and 1830 were used, so I found those online. Looking at the 1820 Census records, I kind of found the answer I was looking for. William Davis is listed and in the row associated with his name, marks were made to indicate that in his household there was one “Free While Male over 45,” and one “Free White Female over 45” and that one person worked in agriculture. A few lines under William, another Davis is listed, Joseph!
The markings in Joseph’s row indicate one male aged 16-25, one male aged 26-44, and one female aged 16-25. From this I assume, Joseph Davis is either a son or other close relation of William and Thankful. Joseph doesn’t show up on the family tree from William Davis’ family but they’re actually buried next to each other at Bayside.
Looking through online records for Bayside Cemetery and searching for the last name, “Davis” I was able to make some more connections. Mary Harwood Davis (1797-185?) was married to a Joseph N., the “N.” is probably for Nye, Thankful Davis’ maiden name. Mary Harwood Davis was the mother of Ebenezer H. Davis, who was born 1832 and passed away 1911. By the way, they’re all buried in a row next to each other at Bayside. So they all have to be related! Ebenezer is an interesting name to choose…it would have been same name as Thankful (Nye) Davis’ grandfather.
So based on the new information and comparing that to the 1820 Census information for Joseph’s household we can conclude that: Joseph is the, “male aged 26-44” and Mary would be the “female aged 16-25.” Her birth year is 1797, in 1820 she would have been 23. The other male in the household, I have no idea because their son, Ebenezer, wasn’t born until 1832, so it can’t be him. I assume it must be a relative of either Joseph or Mary. If the other male was a brother of Joseph, that would mean William and Thankful Davis had another son but why isn’t he living with them? I think it might be a relative of Mary Harwood, maybe a brother. That would make a little more sense…
I went back to the 1810 Census and William Davis shows up there too; I couldn’t find Joseph Davis listed on his own.
Looking through the Bayside Cemetery records further, I found some other Davis family connections and another Joseph Davis. I found the Joseph Davis that I have been talking, about via the census records from 1820 and 1830. In the cemetery records for Bayside, the Joseph Davis that is listed is occasionally listed as the husband of Mary Harwood. Sounds correct right? Well it’s not the same Joseph. This new Joseph that keeps getting confused with our correct, old Joseph, was born 1860 and died in 1872…..Mary Harwood Davis died in the 1850’s. The other glaring issue- this new Joseph would have been 12 when he passed away.
I assume the mix-up has happened because of a few possibilities:
There are two different Joseph Davis- our adult Joseph Davis, the son of William and Thankful and the child Joseph Davis, maybe a relative in someway;
The old Joseph Davis’ gravestone in actually broken and embedded into the ground next to Mary’s stone- it was never seen during the original inventory of the cemetery;
There’s only one Joseph Davis and his birth year has been recorded incorrectly but he still died in 1872.
If the last one scenario is the correct mix-up- Joseph when he passed away would have been at least 75 years old, assuming he was born the same year as Mary Harwood, his wife.
The other Davis family members that are immediately related to Joseph, Mary, and ultimately William and Thankful include:
Thankful Davis (died 1836) Apparently this Thankful doesn’t have a stone but is buried in Section E, Lot 168).
Catherine Davis Averill (died 1882). Her father is listed as Joseph Davis. Her spouse’s initials are E.W. buried in Section E, Lot 106.
Thankful Davis Chapman (1838-1882). Her father is listed as Joseph Davis. She is buried in Section E, Lot 105.
? Elmina S. Davis Barnes (1838-1859). No parents are listed for her entry in the cemetery records. Her husband was Charles. She is buried in Section D, Lot 019. I included Elmina because her maiden name is Davis and her birth year is very close to the other “confirmed” Davis daughters. Maybe she is a cousin.
A few final points about the family to make. William Davis was a supposed veteran from the War of 1812. I researched and I couldn’t find any records officially indicating this. Joseph Davis though, served during the War of 1812 in Darius Hawkins Company of the NY militia. The record for his pension also lists that he married Mary Harwood on September 16, 1816.
Joseph’s son Ebenezer H. Davis was a veteran from the Civil War. Ebenezer was a private during the Civil War. He served in Company B of the 50th NY Volunteer Engineer Regiment. Ebenezer’s enlistment lasted from September 1, 1864 to June 1865, when the regiment was mustered out.
So that makes three generations of the same family, veterans in a number of wars fought in the early years of American history.
Researching this family showed a couple of interesting issues in that can happen when researching history of a family. The first issue was the lack of information in William and Thankful’s family trees especially in regards to their own family and whether or not they had kids. Based off of their family trees it would appear they didn’t have kids but the census records and location of gravestones at Bayside would indicate they moved to Potsdam with some children. The lack of clear information can indicate a couple of things: records along the frontier area of the United States weren’t well maintained AND it can be assumed that once William and Thankful moved to Northern New York, their communication with their family back in Massachusetts was very limited.
The other unplanned aspect of this post is that it’s right in time for Memorial Day, which is May 29th here in the United States. So maybe if you have time this weekend, head to your local cemetery and see what graves you can find of veterans of the United States Army and Navy, and pay respects to our pass veterans.
If you have questions or comments, leave them below.
This month’s jargon term is, “board and batten” or “board-and-batten,” depending on whether you’re using the term as an adjective or noun; for the record, hyphenate when using the term as an adjective. Every now and then, this type of exterior siding many be called, “barn siding,” because many barns across North America are constructed with this.
The actual definition of “board and batten” from my handy-dandy Guide to Vermont Architecture is this, “Exterior siding of flush wide, vertical planks with narrow wooden strips (battens) covering the joints.”
Historically, board and batten would refer to siding built of wood but given today’s building material options, this siding can be made of plastic, metal, or even fiberglass. Board-and-batten siding can be seen on informal styled architecture, think country homes, churches, and/or barns. During the Victorian era it would have been seen as an architectural feature on Carpenter Gothic homes.
So, board-and-batten siding has an interesting back story. Basically, people built in this style because of a lack of materials plus it helps create a stronger and more energy efficient wall. You’re probably wondering what the hell I’m talking about…
Imagine yourself, a recent arrival to the New World. There’s extensive, old growth forests that you’re not familiar with; England really doesn’t have forests like this anymore. You are also in desperate need of a shelter for yourself and family. Cutting down trees and building a log house would be the easiest and quick; you only have axes and saws and there are no saw mills yet built. The log house is easy to build, for the most part, the issue is that the felled tress do no exactly fit together, so there are gaps that you and your family fill in with moss, leaves, sticks, and mud. It mostly does the job…but there’s still a cold draft during the winter. By the way, you’re not the only family that needs to build a quick home plus there’s also an extreme logging occurring in the New World with lumber being shipped back to Europe. The forests are slowly depleted but houses still need to be built because of the increasing numbers of colonists. Eventually a town is built up around where you and your family settled and a saw mill in constructed. Because of the lack of trees and a new sawmill, newer settlers are building there houses out of planks and strips of wood. Out of one felled log, a lot of planks can be planed, meaning it is most cost effective. The seams between vertical standing planks can easily be covered with narrow wood strips (batten), keeping the cold out during the winter.
For an actual visual of a log home located in Northern New York, check out this link: http://www.watertowndailytimes.com/article/20110108/DCO01/301089932. The article is about an actual log cabin that was reconstructed to represent the home of the first settler in Parishville, Luke Brown and his family. In the photos accompanying the article, you can see the space in between the stacked logs.
Check out the following images to see buildings constructed with board-and-batten siding. There are no spaces in between planks!
Buildings from Upper Canada Village:
Let me know in the comments if you have any questions or have any board-and-batten sided buildings in your neighborhood!
4) Like always, my handy dandy resource for architectural jargon is:
“The Historical Architecture of Vermont: Guide to Vermont Architecture,” Curtis B. Johnson, editor and Elsa Gilbertson, Principal Author, published by: the Vermont Division for Historic Preservation, 1996.
I’m super excited to tell you all that the George T. Robinson House has been officially listed in the National Register of Historic Places. I wrote the nomination for the property this past summer! Working with a representative from the State Historic Preservation office, we edited the nomination during the fall. It was submitted to the State for review in December and officially listed to the State Register in February. From there it was forwarded to the Keeper of the National Register to be reviewed and finally it was listed April 17, 2017!
Today’s post is going to look at sections of the nomination that I wrote and submitted during the late summer. At the end of this post, there is a link to the final copy of the nomination.
Building Description Summary The George T. Robinson House, located in the town of Clayton, Jefferson County, New York is a highly intact 2 ½ story, rear-facing “T” plan, Shingle Style home. The home occupies a center location on the southern side of Bluff Island overlooking the St. Lawrence River and mainland New York State. The home was constructed in 1901 and designed by Pittsburgh, Pennsylvania architect, Thorsten E. Billquist, for George T. Robinson and his family, also from Pittsburgh. The south-facing front facade is dominated by an open porch that almost wraps around the entire length of the first floor; the porch is supported by evenly spaced stone pillars. The walls and roof are finished with shingles, and the foundation and porch supports are built of red granite that originated from quarry located on Picton Island located to the north of Bluff Island. The interior of the home is finished with wood paneling and wainscoting from floor to ceiling. There is an 11 foot granite fireplace located within the wall that separates the living room and dining room, so that there is a fireplace in both rooms. The upstairs historically consisted of seven bedrooms, four bathrooms, and a living space in the attic for employed help. To the east of house once stood a 2-story boat house that collapsed sometime after 1966. Other important resources of the property include surface remains of walled garden located directly north of the house on a slight slope. While to the west of house there is a path that leads to the powerhouse that was once used for water pumping. The Robinson Family Estate is in good condition with the only alterations to the home being general maintenance throughout the years, and the current renovations to update the utilities of the property and replace shingles that have been severely weathered because of the elements. The maintenance changes and loss of the boat house do not detract from the overall integrity of the Robinson Family Estate in terms of location, design, setting, materials, workmanship, feeling, and association.
Setting and Location:
The George T. Robinson House is located on the southerly side of Bluff Island, one of the islands situated in the St. Lawrence River; the Island is located within the township of Clayton located in Jefferson County, New York. Bluff Island is a 61 acre island, with the property of the Robinson Family Estate occupying 26 acres of the Island. The property is accessible by boat and is roughly two miles north-east of Clayton, while the closest islands are Picton Island to the north and Grindstone Island to the west. The home is located on rocky south point of Bluff Island, with the front facade facing south towards Round Island and the mainland of New York. To the east of the home is another summer cottage, once owned by Colonel Harry C. Kessler, once called “The Bluffs.” Today the property has a shop on it called “Boateak” and the shop features American arts, crafts, and antiques and is only opened during the summer months. To the west of the Robinson Family Estate is a modern style home situated on a rocky outcrop.
Before you check out the statement of significance, which is basically the WHY is this building important enough to be listed in the State and National Registers of Historic Places…let me explain a little bit more about the statement. What you see below is literally only half of the statement. The section that is missing is related to the historical “context” that the house falls under. In this case the historical contexts for the George T. Robinson Houses includes the Gilded Age in the Thousand Islands Region and the commonly seen use of the shingle style in summer residences.
The other exciting part of this is that one of the main secondary sources I used in researching the Thousand Islands was the book, The First Summer People: The Thousand Islands 1650 – 1910, written by Susan Weston Smith and published in 1993. It is a great book and I suggest checking it out if you’re interested in learning more about the region and the history of the Thousand Islands, like all of the islands. So last weekend, I went to a writing fair located at TAUNY (a non-profit that focuses on folklore in Upstate NY). Susan Smith was there!!! I was able to thank her! And tell her how much her book helped me! I also told her about this nomination and how it was approved! I also told her about some of the other projects I might be working on in the area! It was wonderful to actually meet the person who had written a book that I used for research! I fan-girled out! I got a hug from her! It was beautiful!
Soooo anyways, here’s part of the statement of significance for the George T. Robinson House:
Statement of Significance Summary
The Robinson Summer Estate is locally significant under Criterion A, “property that is associated with events that have made a significant contribution to the broad patterns of our history.” The Robinson Summer Estate was designed by Thorsten E. Billquist in 1901 as the shingle-style summer home of George T. Robinson’s family. The Robinson family originated from Pittsburgh, Pennsylvania, where Mr. Robinson worked in the steel and manufacturing industries. The property remained the summer residence of the Robinson family until 1948, when Anne H. Robinson passed away. It changed hands during the 1950’s, and ownership passed to Harry and Ruby Butcher. The couple ran the property as the “Bluff Island Lodge,” where tourists could stay while visiting the surrounding area. The Robinson Summer Estate relates to the summer resort era of the Thousand Islands during the turn of the 20th century and then again in the tourism boom of the 1950’s. The property is also locally significant under Criterion C, “property embodies the distinctive characteristics of a type, period, or method of construction or represents the work of a master, or possesses high artistic values, or represents a significant and distinguishable entity whose components lack individual distinction.” The summer home was designed by Pittsburgh architect, Thorsten E. Billquist, in the shingle-style, a style commonly used in summer resort areas. The Robinson Summer Estate is significant under these two criteria in regards to its connections to architecture (a Shingle style summer cottage), entertainment, recreational, and tourism values, as well as its connections to the social history of the Thousand Islands region as a tourist resort during the early 20th century and again in the 1950’s tourist boom in New York State.
George T. Robinson House: Social History
The Robinson Family Estate fits into the overarching social history of the Thousand Islands in regards to entertainment, recreational, and tourism in the sense that the home served as a private residence and was used as a fishing lodge briefly during the 1950’s. The home was constructed at the turn of the century in 1901, near the end of the Gilded Age, to be used as the summer residence of a Pittsburgh, Pennsylvania family, the Robinson family. The home is also built in the Shingle Style, an architectural style that has been considered the leading cottage design during the Gilded Age; the home was designed by Pittsburgh architect, Thorsten E. Billquist.
George T. Robinson was born in Pittsburgh, Pennsylvania in 1838 to son of William C. Robinson and Ann Holdship. Ann was the daughter of Henry Holdship, who owned the largest paper making establishment in the area. William C. was a member of the firm, Robinson and Minis, which was a foundry that constructed engines. Specifically, William built steam boats and their engines; he himself owned a small fleet of steam boats.1 It was mostly likely because of his father’s work, that George became involved in the steel and engine building industry in Pennsylvania.
George married Althea Rebecca Dilworth on November 3, 1863. Together they had five children: Mary Mason, William Christopher, Anne Holdship, Stuart Holdship, and Henry Holdship. According to the United States census of 1880, George’s occupation was listed as, “iron founder and engine builder.”2 By the 1910 census, George’s occupation had changed to, “capitalist.”3 Up until 1897, George had been the president of Robinson-Rea Manufacturing Company, which was one of the first steel foundries in Pittsburgh, building engines and rolling mill machinery.4 In that same year his Robinson-Rea Manufacturing Company was consolidated with another Pittsburgh company, Leechburg Foundry and Machine Company, into a new larger organization, Mesta Machine Company. George still had a role to play in the new, larger company; he was a member of the board of directors for Mesta Machine Company. The plant that had been used by Robinson-Rae Manufacturing Company in the South Side, was still to be used by Mesta Machine Company.5
From his work in the steel industry, George was able to provide his family with a comfortable life, given the fact that he was able to purchase land in 1900 and then build a summer home on Bluff Island in the Thousand Islands in 1901. George bought land on Bluff Island from General Harry C. Kessler, who happened to be his brother-in-law. General Kessler was born in Philadelphia in 1844 and during the Civil War enlisted in the Union Army.6 Kessler had married Josephine Alden Dilworth on November 8, 1876; Josephine was a younger sister of George’s wife, Althea.7
From the deed records at the Jefferson County Clerk’s office, Harry and Josephine Kessler, who at the time were living in Montana, sold the northerly and western portion of Bluff Island to George T. Robinson. The transaction was recorded at the County Clerk’s office August 30, 1900. The Kessler’s had previously purchased the island from Fannie and Eugene Washburn and that transaction was recorded in the county records on August 20, 1900.8 The transaction was noted in the local paper, where Bluff Island was described as, “…one of the most desirable unimproved islands in this section of the river.”9 By the next summer, the Kessler and Robinson families had begun to build their summer homes. In May of 1901, the Watertown Re-Union, briefly reported that the construction work of the buildings on Bluff Island was “progressing rapidly.”10 George Robinson employed Pittsburgh architect, Thorsten E. Billquist to design his summer home; during the construction, the Robinson family vacationed on Grenell Island.11 Documents regarding the construction process of the Robinson Family Estate are lacking and consist solely of blue prints created by Billquist for the house and a boat house. The materials for the buildings are not mentioned in the blue prints but most likely were locally sourced. During the turn of the century, red granite quarries were located on both Grindstone and Picton Islands and Clayton and the surrounding area had a number of lumber businesses.12
View of the East Facade
View of the North Facade
View of the West Facade
The connection between the Kesslers, the Robinsons, and their ability to purchase a 60 acre island and build homes on the island, show the growth of wealth among those involved in industrial capitalism, which was common among America’s elite during the Gilded Age in summer resort areas. The summer people of the Gilded Age, looked for places where they could escape from the health and social problems of the inner cities by vacationing somewhere fresh and full of natural beauty much like the region of Thousand Islands and the St. Lawrence River. The Robinson family vacationed every summer at their cottage on Bluff Island. Snippets in the local newspapers of the Thousand Islands and even from Pittsburgh, give insight into how the upper class family lived during the summer. The Shingle home was officially finished by 1904, based on news reporting that members of the Robinson family were visiting Bluff Island. George’s son, William, his wife, and their young son visited the elder Robinson and his daughter, Anne Holdship for the summer.13
In 1909, the Robinson family prepared for two weddings at the Bluff Island cottage. The Hoffman- Kessler wedding was planned at George T. Robinson’s home on Bluff Island. The local paper documented activities of the members of the Robinson and Hoffman families such as when they dined at the Frontenac Hotel the week prior to the wedding.14 The bride was Althea Dilworth Hoffman, the daughter of Mary Mason Hoffman and granddaughter of George T. Robinson. The groom was her cousin, Harry C. Kessler Jr., the only son of Harry C. and Josephine Alden Kessler; their wedding was set for August 09, 1909. The second Robinson wedding of that year occurred on October 14, when Mary Mason Hoffman married her second husband, Frank J. Lynch at her father’s summer home.15
Interesting tidbits of the family’s summer activities are found in the most unusual places such as the annual report for the Carnegie Museum. The Museum’s annual report lists Anne H. Robinson under their donations for the year of April 1, 1911 to April 30, 1912. Anne donated land and fresh water shells from Bluff Island and the St. Lawrence River, collected in July of 1911. She also donated, “insects, particularly Odonata and their nymphs, from Bluff Island.”16 These snippets of information into the Robinson family’s summer vacations paint a picture of how Robinson Family Estate on Bluff Island emulates the summer activities common to the summer peoples of the Thousand Islands during the turn of the century. It was a place to relax, socialize, and enjoy the natural splendor of the St. Lawrence River and as The House Beautiful put it to escape the “city turmoil.”17
George T. Robinson died December 24, 1917, at his home in Pittsburgh. In his will, George left his home in Pittsburgh at 4926 Wallingford Street and all of its possessions to his daughter, Anne Holdship. Anne along with his other children also received shares of the stock in the Mesta Machine Company and money.18 Anne Holdship continued to reside there during the summers and was involved in the local summer community by hosting occasional garden meetings at her home on Bluff Island.19 From local newspapers of the time, it is clear that Anne was involved with the local garden clubs. In 1935, the Cape Vincent Eagle that four ladies of the “Ann Robinson Garden Club,” attended an improvement league meeting in Clayton.20 Anne was not present at the meeting. Another garden club was formed in 1938 as part of Clayton’s Improvement League, that club formed in June of that same year. Their first meeting was held on July 5th, at the home of Mrs. Joseph Davis. The second meeting was held in Clayton, at the summer home of, “Miss Ann Robinson “Bluff Island,” ” that meeting included members of both the Clayton and Cape Vincent garden clubs.21 Anne’s own garden club was still around and made the news again in 1941, when the “Anne Robinson Garden Club,” held their meeting and picnic at her home on Bluff Island.22 Though there is no photographic evidence of Anne’s gardens, the historic newspaper record points to Anne having some kind of garden. Summer cottages of the Gilded Age, much like the Robinson Family Estate, typically had formal landscaping such as terraces or flower beds.23 The granite wall surface remains that are located north of the house on a slope are most likely the remains of her gardens. There is no other location of the property that appears to contain stone walls that would have been associated with a garden. Anne Holdship Robinson continued to summer at Bluff Island until her death in 1948; she passed away at her home in Pittsburgh.24
The records for the history of the Robinson Family Estate after Anne’s death are scarce. The majority of the history comes from the Thousand Island Museum’s archives and the Jefferson County Clerk deed records. In Anne’s will, the Robinson Family Estate was left to her brother, William, in December of 1948. William and his immediate family had no need for the property and donated it to Clayton’s Christ Episcopal Church, which Anne had been a member of during her life. In 1951, Christ Episcopal Church sold the property because they too had no use for the home. At that time Harry and Ruby Butcher of Clayton purchased the property.25 Prior to purchasing the property on Bluff Island, the Butcher’s had run a popular snack shop, “Harry’s Snack Shop,” in Clayton. The Butcher’s has plans on turning the former single family residence of the Robinson Family Estate into a fishing lodge and for three summer’s from 1951 to 1954, the Butcher’s ran the “Bluff Island Lodge.”26
In 1954, the Butcher’s began to look into selling the “Bluff Island Lodge.” The Thousand Island Museum’s archives had a number of news clippings related to the sale and eventual purchase of the Lodge. The sale ad listed the lodge as having 7 bedrooms, 5 bathrooms, a 38′ living room, an 11′ stone fireplace, quarters on the third floor for help, a dining room large enough to accommodate 24 people, a pantry, and a large kitchen. At that time the property also had a boat house and even came with seven boats. By October of 1954, the Butcher’s had either sold or begun to lease the Bluff Island Lodge to Mr. and Mrs. Jack Cutler, of Pittsburgh, Pennsylvania and they continued to use the property as a lodge.27 The Jefferson County Clerk’s Office deed records show something a little different. In 1956, Ruby sold the property to Willard Cutler. The Cutler family eventually sold to Timothy Hubbard in 1963, after the death of Willard Cutler.28
Since 1966, the Hubbard family continued to own the home and live there during the summers. Timothy Hubbard was a professor of Syracuse University and in 1986 wrote the Dolphin Book Club best seller, The Race. His daughter, Stephanie Hubbard, also is a writer and wrote Bluff Island Rescue Service, which is a memoir of growing up on Bluff Island; it was published in 2010.29 The Hubbard family used the property as a single-family residence up until 2016, when the home was sold to the current owner, David and Robin Lucas.
Robinson Family Estate: Architectural Significance
The Thousand Islands has been a summer resort area since the 1870’s, when George Pullman invited President Ulysses S. Grant to his summer home on “Pullman Island,” located close to Alexandria Bay, bringing national attention to the St. Lawrence River.30 Shingle Style homes are a common sight in many of the northeastern seaside resorts like Martha’s Vineyard and Bar Harbor, the same can be said about the Thousand Islands. Between the townships of Clayton and Alexandria Bay, which make up a majority of the Thousand Island Region, there are only three other Shingle Style properties listed on the State and National Registers. Those properties include: the Boldt Yacht House on Wellesley Island built in 1903 for George C. Boldt’s estate, listed 1978; the Densmore Church, constructed in 1900, also located on Wellesley Island, listed in 1988; and Ingelside, a private estate on Cherry Island that combines Queen Anne and Shingle Style architectural features, it was constructed sometime between 1899 and 1906, listed 1980.
George Robinson employed Pittsburgh architect, Thorsten E. Billquist to design his summer home on Bluff Island. Thorsten E. Billquist was educated at the University of Gothenburgh. He immigrated to the United States in 1892, first living in New York and working with the firm McKim, Mead, and White. He was involved to some extent with the designing of the Boston Public Library. Shortly after that, Billquist moved to Pittsburgh, where he worked for a brief time for the firm, Longfellow, Alden, and Harlow and then with architect William Ross Proctor. By 1896, Billquist had launched his own practice by having the winning entry for the Allegheny Observatory (added to the National Register June 22, 1979) in that year. By 1905, Billquist had partnered with Edward B. Lee, to create the firm Billquist and Lee that was active from 1905-1909.31
The Robinson Family Estate is located in a summer vacation area where Shingle Style homes were a common sight. There is also the previous work experience that Billquist had during his career at the firms of McKim, Mead and White and Longfellow, Alden, and Harlow. Both firms had key partners who had worked for Henry Hobson Richardson, the architect who designed the high style homes that emulated the key features of every popular architectural style of the late 19th and early 20th century. Both firms designed buildings that were key in creating the Shingle Style in America. Working with them most likely inspired Billquist in his own designs during his career.32
Billquist designed a summer home for the Robinson family that emulates many of the key architectural features commonly seen in Shingle Style summer homes. The home is a frame home that is clad in cedar shingles and has a raised basement constructed of rough cut red granite blocks. The front facade, which faces south towards mainland New York, is dominated by an open porch that is covered by the floor of the second story; the porch is supported by columns of rough cut red granite blocks. The interior of the home is finished exclusively in wood. The first floor of the home has a large, open layout, with spaces flowing into each via a hall running the length of the home. The first floor’s largest room is the living room, which is where all the main entrances open into. The room’s key features include a built in bench and an 11-foot granite fireplace. The fireplace is double sides, in that it is built within the wall that separates the living room from the dining room; both rooms could have a separate fire going simultaneous, if needed. Both of these rooms would have been used for family and social activities by the Robinson family and subsequent owners. The upstairs of the home had historically seven bedrooms, four bathrooms, and numerous closets. The historic layout of second floor is almost completely intact, the other differences are a bathroom and closet have been removed, most likely during the ownership of the Hubbard Family. The upstairs also a main hallway allowing easy movement throughout the different rooms; some rooms are connected to each other and even share bathrooms. The attic space was used to house the help during the summer months.
The Robinson Family Estate is locally significant under both Criteria A and Criteria C. The Robinson Summer Estate was designed by Thorsten E. Billquist in 1901 as the shingle-style summer home of George T. Robinson’s family. The Robinson family originated from Pittsburgh, Pennsylvania, where Mr. Robinson worked in the steel and manufacturing industries. It changed hands during the 1950’s, and ownership passed to Harry and Ruby Butcher, who ran the property as the “Bluff Island Lodge,” where tourists could stay while visiting the surrounding area. The Robinson Summer Estate relates to the summer resort era of the Thousand Islands during the turn of the 20th century and then again in the tourism boom of the 1950’s. The property is also a great local architectural example of the Shingle Style. The summer home was designed by Pittsburgh architect, Thorsten E. Billquist, in the Shingle Style, a style commonly used in summer resort areas. Billquist also had ties and work experience in a number of important northeast architectural firms of McKim, Mead and White, and Longfellow, Alden, and Harlow. Both firms designed buildings that were key to creating the Shingle style in America. Both firms also had key partners who had worked with H. H. Richardson, the architect who can be credited with designing the prototype of the Shingle Style home in America, with the William Watts Sherman House. The Robinson Summer Estate is significant under these two criteria in regards to its connections to architecture (a Shingle style summer cottage), entertainment, recreational, and tourism values, as well as its connections to the social history of the Thousand Islands region as a tourist resort during the early 20th century and again in the 1950’s tourist boom in New York State.
If you have any questions of comments about the George T. Robinson House or about writing a national register nomination, let me know in the comment section below!
2United States Census Bureau, “United States Census, 1880, George T. Robinson, Pittsburgh, Allegheny, Pennsylvania, United States,” citing enumeration district ED1 166, sheet 357D, NARA microfilm publication T9 (Washington DC.: National Archives and Records Administration, n.d, roll 1095, FHL microfilm 1,255,095, 1880), https://familysearch.org/ark:/61903/1:1:MG7T-YRN (accessed July 17, 2016).
3United States Census Bureau, “United States Census, 1910, George T. Robinson, Pittsburgh Ward 7, Allegheny, Pennsylvania, United States,” citing enumeration district ED 360, sheet 5, NARA microfilm publication T624 (Washington DC.: National Archives and Records Administration, n.d, FHL microfilm 1,375,314, 1910), https://familysearch.org/ark:/61903/1:1:MG7T-YRN (accessed July 17, 2016).
7 United States Census Bureau, “United States Census, 1850, Joesphine Dilworth in household of William Dilworth, Allegheny City, Ward 1, Allegheny, Pennsylvania, United States,” citing family 82, NARA microfilm publication M432 (Washington DC.: National Archives and Records Administration, n.d,), https://familysearch.org/ark:/61903/1:1:M44H-2LH (accessed July 17, 2016).
8“Deed of Sale from Fannie L. Washburn and Eugene R. Washburn to Harry C. Keesler August 20, 1900,” (filed August 30, 1900), Jefferson County Clerk’s Office: Watertown, New York, Liber 296 of Deeds, page 331-332.
9“Brevities,” The Watertown Herald, August 18, 1900.
10“Clayton,” The Watertown Re-Union, May 22, 1901.
11 Thousand Islands Museum Archives, “American Islands Binder A-M,” Clayton, New York.
12“Clayton News,” The Watertown Re-Union, March 31, 1906. “Clayton News,” The Watertown Re-Union, July 21, 1900. Smith, First Summer Peoples, 79, 81.
18 Thousand Islands Museum Archives, “Family Binder: Robinson,” Clayton, New York.
19“Last Will and Testament of George T. Robinson May 15, 1909, Sealed February 20,1917,” (filed October 20, 1920), Jefferson County Clerk’s Office: Watertown, New York, Liber 2361 of Deeds, page 571-572.
20“Improvement League Holds Meeting,” Cape Vincent Eagle, May 9, 1935.
21“Garden Club is Formed in Village,” Cape Vincent Eagle, June 23, 1938.
22“Garden Club to Meet,” Clayton News, August 12, 1941.
24 Thousand Islands Museum Archives, “Family Binder: Robinson,” Clayton, New York.
25“Deed of Sale from Christ Church of the Town of Clayton to Harry W. and Ruby K. Butcher October 9, 1951,” (filed October 9, 1951), Jefferson County Clerk’s Office: Watertown, New York, Liber 559 of Deeds, page 180-181. Thousand Islands Museum Archives, “Family Binder: Robinson,” Clayton, New York.
26 Thousand Islands Museum Archives, “American Islands Binder A-M,” Clayton, New York.
28“Deed of Sale from Willard Cutler to Timothy William Hubbard August 16, 1963” (filed September 16, 1963, Jefferson County Clerk’s Office: Watertown, New York, Liber 741 of Deeds, page 380.
29John Golden, “Island Author Navigates From Ocean to Banks,” Watertown Daily Times, July 9, 1995. Stephanie Hubbard, “Great Reviews Are Coming In! Get Your Own Copy! Tell Your Friends!,” Bluff Island Rescue Service: A Memoir Website, August 25, 2010, http://www.bluffislandrescueservice.com/ (accessed August 23, 2016).